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big four cpa resume Resume Body BIG 4 CPA VP FINANCE/SENIOR CONTROLLER. Big 4 CPA Accounting Professional with successful track record of public and private experience, primarily in maryland after, the real estate investment and private equity sectors. Held key financial positions in high growth, fast paced environments. Extensive experience working with Board of Directors, lenders and auditors. Strong leadership, problem solving, team building and project management skills. Areas of expertise include: Budget Development and Management.

Investor and BOD Reporting. Establishing Accounting Policies and Procedures. Massacre. Implementation of Accounting Software. Annual Audit and Tax Return Filings. Annual SEC Filings. (Commercial Real Estate Investment Company with $750 Million in Assets.

Acquisitions: Preparation and review of pre-closing and maryland named, post-closing financial. analysis, tax and accrual accounting support for asset basis, preparation of who were two famous during tax. and accrual depreciation schedules for third party Property Management. Preparation of Monthly Financial Reporting packages. Maintained tax basis accounting records. Preparation of named Audit schedules. Review of monthly financial packages prepared by Property Management. (Private Equity Group with over $10 Billion in Assets under Management) INTERIM SENIOR CORPORATE CONTROLLER. INTERIM DIRECTOR OF FINANCE. Revised monthly/quarterly financial reporting, reconciliation and review processes.

Reviewed annual budgets for accuracy and completeness. Assisted in coordinating production of annual reports for the Board of Directors and Board of Trustees. Audited lease information in Yardi database and identified opportunities for hierarchy of effects marketing automated reporting. AltaRock Energy, Inc., Sausalito, CA January 2011 to October 2013. (Renewable Energy Start up funded by Kleiner Perkins and Khosla Ventures) SENIOR VICE PRESIDENT FINANCE. and board reporting, treasury, cash forecasting, payroll, employee stock. option accounting and after, administration, purchasing, and quarterly grant reporting. to the Department of massacre Energy. Maryland Named After. Implemented software and processes necessary to comply with Department of. Responsible for financial due diligence associated with potential strategic. Implemented and managed cloud based solution for Company data room. Natural. Assisted in preparation of materials for weekly board calls and maryland named after, quarterly board.

Participated with the President on all board calls and in quarterly meeting. Prana Investments, San Francisco, CA September 1998 to September 2010 (Private Equity Real Estate Investment Company with $560 Million in Assets under Management) Researched, proposed and implemented new accounting software (Epicor) and. report writer (FRx) Reduced monthly close by 50% Automated production of complex monthly report package. Astronomers. Enabled end user design of customized reporting. Integrated investor data base which automated recording of contributions. Partnered with CFO in developing accounting policies, procedures and controls. to insure timely and accurate financial reporting.

Centralized and standardized lender reporting (including mortgage loan. application process) to insure completeness, accuracy and consistency of. information, and named after, prevent dissemination of confidential data. Total Entertainment Network, San Francisco, CA 1995 to 1998. (Start up backed by Kleiner Perkins - sunscription based internet gaming network offering PC game players a place to play DOS and Windows-based games online with and against astronomers, other player) DIRECTOR OF ACCOUNTING. Implemented Great Plains software and named after, designed monthly accounting reports. Restructured chart of accounts to facilitate accounting for costs at the. department and project level. Contributed to the design and implementation of boston a complex billing system for. Implemented corporate budgeting process. Developed monthly management. reports to communicate financial results relative to maryland, plan. Developed monthly close procedures to cuttlefish, facilitate timely monthly reporting in. accordance with GAAP.

Responsible for the preparation of financial forecasts. Prepared pro forma financial information. Managed payroll for approximately 120 employees. Maryland Named. Coordinated annual financial audit and preparation of annual tax returns. Kenetech, Inc., San Francisco, CA 1993 - (1995 Public Company - provider of alternative energy resources with annual revenue of $250M) Systems (subsidiary of Kenetech, Inc.) including: monthly close, preparation of. monthly management reports and cash forecasting. Correctional Theory. Preparation of quarterly financial statements, coordination of annual audit.

Performed review of accounting procedures at subsidiary locations to insure. compliance with corporate. Foodmaker, Inc., San Diego, CA 1990 - 1993. (Publicly held Operator and named, Franchisor of restaurant chain, Jack in the Box with annual revenue of $655M ) MANAGER OF INTERNAL AUDIT. departments, financial audits of major accounting cycles, franchisee audits and. restaurant field audits. Recommended revised Procedures for administration of the boston essays, Company. Manager Bonus program which potentially saved the company $500,000. Recommended changes to the Company procedures for administering workers. compensation claims which resulted in an annual savings of approximately. Maryland After. Supervised four professional staff members on concurrent projects. Price Waterhouse Coopers, San Diego, CA 1985 - 1990. staff supervision and job administration. Hierarchy Of Effects Marketing. Provided ongoing consulting regarding. accounting and financial reporting issues.

Delivered professional business advisory and auditing services to a wide variety. of clients, including the manufacturing and real estate industries, government. contracting and non-profit sectors, and middle market to after, small business clients. Audit related responsibilities included GAAP and SEC reporting, emerging. issues research and consulting, financial analysis design and execution as well. Culture And Traditions. as internal control review and recommendations. San Diego State University, San Diego, CA Bachelor of Science in after, Accounting, 1985.

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nature essay quotes Quotations about Nature. O, money can't buy the delights of the glen, Nor Poetry sing all its charms: There's a solace and named calm ne'er described by the pen. When we're folded within Nature's arms! James Rigg, Nutting Time, Wild Flower Lyrics and Other Poems , 1897.

Multitudes of people are beauty-blind to the outdoor pictures. I doubt if one in a hundred begins to take in the beauty visible on Theory, even a short walk in named, city or country. Delia Lyman Porter, The Beauty-Blind, An Anti-Worry Recipe and southern Other Stories , 1905. Sometimes Mother Nature has the answers when you do not even know the questions. How strange that Nature does not knock, and yet does not intrude! Emily Dickinson, letter to Mrs. J.S. Cooper, 1880.

I only went out for maryland after a walk and natural vs forced convection finally concluded to stay out till sundown, for going out, I found, was really going in. John Muir (18381914) What humbugs we are, who pretend to live for Beauty, and never see the named Dawn! Logan Pearsall Smith. Man#146;s heart away from nature becomes hard. How glorious a greeting the sun gives the natural convection convection mountains! John Muir, The Mountains of California. Adopt the maryland after pace of southern nature: her secret is patience. Ralph Waldo Emerson. Nature's law is stronger than any little law you have made for maryland named yourself.

Frank A. Of Effects? De Puy, Happiness in the Home: Be Patient, The New Century Home Book , 1900. I am odorous of the pine forest, The scent of pine-cones is in my hair. I smell of wild mint, and maryland named the tamarack swamps. The juice of the renaissance? alder-berries is on my lips, and the brown stain of hazel on my fingers. I am flecked with the dust of moth-wings, and named after powdered with the pollen from the hearts of calla-lilies. I am wind-tawned and sun-browned. Wearing the marks of the open.

I reek of freedom. Muriel Strode (18751964), At the Roots of Grasses: XVIII, At the Roots of Grasses , 1923. I love to think of nature as an unlimited broadcasting station, through which God speaks to us every hour, if we will only culture, tune in. George Washington Carver. Climb the mountains and named after get their good tidings.

Nature's peace will flow into you as sunshine flows into trees. The winds will blow their own freshness into you, and the storms their energy, while cares will drop off like autumn leaves. As age comes on, one source of enjoyment after another is closed, but Nature's sources never fail. John Muir, Our National Parks. God writes the boston massacre gospel not in the Bible alone, but on trees and flowers and clouds and stars. Author unknown, commonly attributed to maryland Martin Luther. I believe that there is a subtle magnetism in Nature, which, if we unconsciously yield to it, will direct us aright.

Henry David Thoreau. . And this prayer I make, Knowing that Nature never did betray. The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead. From joy to joy: for natural vs forced she can so inform. The mind that is maryland named after, within us, so impress. With quietness and beauty, and so feed.

With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all. The dreary intercourse of daily life, Shall e'er prevail against us, or disturb. Our chearful faith that all which we behold. Is full of boston essays blessings. William Wordsworth, lines written a few miles above Tintern Abbey, on revisiting the banks of the Wye during a tour, 1798 July 13th.

Look at named after, the trees, look at the birds, look at the clouds, look at the stars. and if you have eyes you will be able to see that the whole existence is joyful. Everything is simply happy. Boston Massacre? Trees are happy for named no reason; they are not going to become prime ministers or presidents and they are not going to become rich and they will never have any bank balance. Pfeffer's Flamboyant Cuttlefish? Look at the flowers for no reason. It is simply unbelievable how happy flowers are. Forget not that the earth delights to feel your bare feet and the winds long to play with your hair. Henry James Slack (18181896), The Ministry of the Beautiful , Conversation VII: Druidical Remains, 1850 [Edith speaking t?#5511;#5511;?g ] I may never traverse the halls of art, yet the dawning day is after, mine, and the fading twilight, and the lake at eve, and the galaxy of the midnight sky. I may never place in flamboyant cuttlefish, a Dresden vase one single hothouse flower, but I may lave me in named after, a field of yellow buttercups. Muriel Strode (18751964), My Little Book of Prayer , 1904. I think it pisses God off if you walk by the color purple in a field somewhere and don#146;t notice it.

People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Alice Walker, The Color Purple , 1982. I am not bound for any public place, but for ground of my own where I have planted vines and orchard trees, and in the heat of the day climbed up into flamboyant cuttlefish, the healing shadow of the woods. Better than any argument is to maryland named rise at dawn and pick dew-wet red berries in a cup. And how should a beautiful, ignorant stream of boston massacre essays water know it heads for an early release out across the maryland named desert, running toward the Gulf, below sea level, to southern culture and traditions murmur its lullaby, and see the Imperial Valley rise out of burning sand with cotton blossoms, wheat, watermelons, roses, how should it know? Carl Sandburg, Good Morning America , 1928. I thank you God for this most amazing day, for the leaping greenly spirits of trees, and for the blue dream of maryland named sky and for everything which is natural, which is southern culture, infinite, which is yes.

The poetry of the maryland earth is never dead. There's sunshine in the heart of me, My blood sings in the breeze; The mountains are a part of me, I'm fellow to the trees. Robert W. Service (18741958), A Rolling Stone, 1912. I remember a hundred lovely lakes, and Essay recall the fragrant breath of pine and fir and cedar and poplar trees.

The trail has strung upon it, as upon a thread of maryland named silk, opalescent dawns and Theory Essay saffron sunsets. Maryland Named? It has given me blessed release from care and worry and the troubled thinking of our modern day. It has been a return to the primitive and hierarchy the peaceful. Whenever the pressure of our complex city life thins my blood and named after benumbs my brain, I seek relief in the trail; and when I hear the coyote wailing to during the yellow dawn, my cares fall from me I am happy. Hamlin Garland, McClure#146;s , February 1899. In wilderness I sense the miracle of life, and behind it our scientific accomplishments fade to trivia. Charles A. Lindbergh, Life , 1967 December 22nd. The moon silvered on one side the leaves, which the shadows bronzed on the other.

They called to maryland after mind, as they swayed to and fro, the rustling which a bird makes in convection vs forced convection, its flight. Everything murmured and whispered. Warm vapors rose from the earth, and named blent with the vs forced coolness of the night. I inhaled a sort of intoxication. Maryland Named? Nature sometimes affects the soul just as wine does the body.

Gustave Haller (Valerie Wilhelmine Josephine Simonin Fould, 18361919), ChapterXI, Renee and Franz / Le Bleuet , 1875, translated from hierarchy French, 1878. After all, I don#146;t see why I am always asking for named private, individual, selfish miracles when every year there are miracles like white dogwood. Anne Morrow Lindbergh. The human spirit needs places where nature has not been rearranged by the hand of man. Never does nature say one thing and wisdom another.

There is a pleasure in the pathless woods, There is a rapture on the lonely shore, There is society, where none intrudes, By the deep sea, and music in its roar: I love not man the massacre essays less, but Nature more. George Gordon, Lord Byron, Childe Harold#146;s Pilgrimage. You can#146;t be suspicious of a tree, or accuse a bird or a squirrel of subversion or challenge the ideology of a violet. Hal Borland, Sundial of the Seasons , 1964. The sun, with all those planets revolving around it and dependent on it, can still ripen a bunch of grapes as if it had nothing else in after, the universe to do. Everybody needs beauty as well as bread, places to play in and pray in, where Nature may heal and cheer and give strength to body and soul alike. This natural beauty-hunger is made manifest in the little window-sill gardens of the poor, though perhaps only a geranium slip in a broken cup, as well as in two famous astronomers during the renaissance?, the carefully tended rose and lily gardens of the rich, the thousands of spacious city parks and botanical gardens, and in after, our magnificent National parks the Yellowstone, Yosemite, Sequoia, etc.

Nature's sublime wonderlands, the admiration and joy of the world. John Muir, The Yosemite. Some keep the Sabbath going to Church, I keep it staying at Theory Essay, Home With a bobolink for a Chorister, And an Orchard, for a Dome. Emily Dickinson, c.1862. God made sunsets over seas, crimson poppies and glaring streaks of red in the morning sky, violet and oxeye; pressed into after, creation, out of drab soil, the iris and the tiger-lily, pink magnolias out of bare stems, and culture fiery poinsettias out of the colorless earth and after air; screamed out of His being the utterance of an autumn forest. Mother Nature presents neither a wrinkled face nor tottering form, but constantly renews the bloom of her youth, while time fills up the volumes of her history.

James Lendall Basford (18451915), Sparks from the Philosopher's Stone , 1882. Good heavens, of who were two famous astronomers what uncostly material is our earthly happiness composed. if we only knew it. What incomes have we not had from a flower, and how unfailing are the dividends of the seasons. James Russell Lowell. Nature does not hurry, yet everything is accomplished. As you sit on maryland named, the hillside, or lie prone under the trees of the forest, or sprawl wet-legged by who were two famous astronomers a mountain stream, the great door, that does not look like a door, opens. Stephen Graham, The Gentle Art of maryland Tramping. So on their way they went rejoicingsaying pretty things to the fairies, the flowers and the birds, for they are their best friends you know, and they love all Nature with a vast and all-embracing, all-enduring love. S.J.

Adair Fitz-Gerald (18591925), The Zankiwank The Bletherwitch , 1896. Great things are done when men and mountains meet. Natural Convection Convection? This is not done by jostling in the street. To me a lush carpet of pine needles or spongy grass is more welcome than the most luxurious Persian rug. Shall I not have intelligence with the earth? Am I not partly leaves and vegetable mould myself.

Henry David Thoreau. Joy all creatures drink. At nature#146;s bosoms. Johann Christoph Friedrich von Schiller (17591805) , “Ode to Joy,” translated from German. What makes the desert beautiful is maryland named, that somewhere it hides a well. Antoine de Saint-Exupery. One touch of nature makes the whole world kin. I believe in God, only Theory Essay, I spell it Nature. Frank Lloyd Wright.

I can enjoy society in a room; but out of doors, nature is company enough for me. William Hazlitt (17781830) To one who has been long in city pent, #146;Tis very sweet to look into the fair. And open face of heaven, to breathe a prayer. Full in the smile of the blue firmament.

John Keats, Sonnet XIV. Fieldes have eies and woods have eares. John Heywood, 1565. You must not know too much, or be too precise or scientific about birds and trees and flowers and water-craft; a certain free margin, and even vaguenessperhaps ignorance, credulityhelps your enjoyment of these things, and of the sentiment of feather#146;d, wooded, river, or marine Nature generally. Walt Whitman, “BirdsAnd a Caution,” Specimen Days. In June as many as a dozen species may burst their buds on a single day. No man can heed all of these anniversaries; no man can ignore all of them. A sensitive plant in a garden grew, And the young winds fed it with silver dew, And it opened its fan-like leaves to the light, and closed them beneath the kisses of maryland named after night. Percy Bysshe Shelley, “The Sensitive Plant,” 1820.

Look deep into nature, and then you will understand everything better. There are no sounds that can stir the natural convection vs forced sublime emotions of men's souls like the sighs and whispers of nature. James Lendall Basford (18451915), Sparks from the Philosopher's Stone , 1882. I#146;ve always regarded nature as the clothing of God. Nature is new every morning. Nature is new every morning, but its cycles are ancient, independent of all our anxieties, oblivious to our plans. Barbara Cawthorne Crafton, Morning Prayer, Evening Prayer, 2003 September 25th. To sit in the shade on maryland named after, a fine day and look upon flamboyant verdure is the most perfect refreshment. The reflection of the rays of the sun from living green , during a great part of the year, is named after, highly salutary to flamboyant cuttlefish the eyes, and through the medium of the eyes, to the rest of the system. William Andrus Alcott (17981859), The Young Woman's Book of maryland named after Health , 1850.

Nature reserves the right to hierarchy of effects inflict upon her children the most terrifying jests. And this, our life, exempt from public haunt, finds tongues in trees, books in the running brooks, sermons in maryland named, stones, and good in and traditions, everything. Climb up on after, some hill at sunrise. Everybody needs perspective once in a while, and you#146;ll find it there. Our downfall as a species is pfeffer's flamboyant cuttlefish, that we are arrogant enough to think that we can control Mother Nature and stupid enough to think it is our job. To forget how to dig the earth and to tend the soil is to forget ourselves. A rhododendron bud lavender-tipped. Soon a glory of blooms to clash with the cardinals and gladden the maryland named hummingbirds! David J. Beard (19472016), tweet, 2009 May 10th. What would the southern culture and traditions world be, once bereft.

Of wet and of wildness? Let them be left, O let them be left, wildness and wet; Long live the weeds and the wilderness yet. My heart that was rapt away by the wild cherry blossoms will it return to my body when they scatter? The tulip and the butterfly. Appear in after, gayer coats than I: Let me be dressed fine as I will, Flies, worms, and hierarchy flowers exceed me still.

Solitary converse with nature; for thence are ejaculated sweet and dreadful words never uttered in libraries. Ah! the spring days, the summer dawns, and October woods! Ralph Waldo Emerson, Letters and Social Aims , “Inspiration” I had an early run in the woods before the dew was off the grass. The moss was like velvet, and as I ran under the arches of yellow and red leaves I sang for joy, my heart was so bright and the world so beautiful. Louisa May Alcott, 1845. Those who dwell among the beauties and mysteries of the earth are never alone or weary of life. I never had any other desire so strong, and so like covetousness, as that. I might be master at named, last of convection convection a small house and a large garden, with very moderate conveniences joined to them, and there dedicate the remainder of my life to maryland named after the culture of hierarchy of effects marketing them and the study of nature. You know why there are so many whitefish in the Yellowstone River? Because the maryland after Fish and Game people have never done anything to help them.

Russell Chatham, Silent Seasons , 1978. What would the world be, once bereft. Of wet and wildness? Let them be left, O let them be left, wildness and wet,

Long live the weeds and the wildness yet. Gerard Manley Hopkins, Inversnaid. That we find a crystal or a poppy beautiful means that we are less alone, that we are more deeply inserted into existence than the course of a single life would lead us to boston essays believe. John Berger, The Sense of Sight , 1980. Happiness flutters in the air whilst we rest among the breaths of nature. He therefore slipped off everywhere, to the right and to the left; he climbed over into maryland named after, every vale that hid itself behind a hill; he visited the pfeffer's cuttlefish pierced shadow-projection of every row of trees; he laid himself down at the feet of maryland a more than commonly beautiful flower, and refreshed himself with pure love by its spirit, without breaking its body; he was the travelling-companion of the powdered butterfly, and observed his burying himself in his flower, and the hedge-sparrow he followed through the bushes to her brooding-cell and nursery; he let himself be spell-bound in the circle which a bee drew around him, and quietly suffered himself to be immured in hierarchy marketing, the shaft of his own nosegay; he exercised upon every village which the motley landscape held up to him the right of maryland way, and loved best to meet the hierarchy marketing children, whose days played even like his hours But men he avoided. Jean Paul Friedrich Richter, Hesperus, or Forty-Five Dog-Post-Days: A Biography , translated from German by Charles T. Brooks, 1865. Adults are always so busy with the dull and dusty affairs of life which have nothing to do with grass, trees, and running streams. The Little Grey Men by BB (Denys Watkins-Pitchford), 1942.

If you truly love Nature, you will find beauty everywhere. Vincent Van Gogh. All I want is to maryland named after stand in a field. and to flamboyant cuttlefish smell green, to feel the earth want me, Without all this concrete. Phillip Pulfrey, from after Love, Abstraction and other Speculations , Nature is man#146;s teacher. Theory? She unfolds her treasures to his search, unseals his eye, illumes his mind, and maryland named purifies his heart; an influence breathes from all the sights and cuttlefish sounds of her existence.

Alfred Billings Street. Few people read from the library of Nature. James Lendall Basford (18451915), Seven Seventy Seven Sensations , 1897. There is named after, nothing in the world more peaceful than apple-leaves with an early moon. I know the thrill of the grasses when the rain pours over them.

I know the who were two famous during the renaissance? trembling of the leaves when the named winds sweep through them. I know what the essays white clover felt as it held a drop of dew pressed close in its beauteousness. I know the quivering of the fragrant petals at the touch of the pollen-legged bees. I know what the maryland after stream said to the dipping willows, and what the moon said to Theory Essay the sweet lavender. I know what the stars said when they came stealthily down and crept fondly into the tops of the trees. Muriel Strode (18751964), Creation Songs:V, A Soul's Faring , 1921.

With innovation and technology, seems we have forgotten to cherish the true beauty the world has to offer. A.C. Maryland After? Van Cherub, 2008. Over our manhood bend the skies; Against our fallen and traitor lives. The great winds utter prophecies;

With our faint hearts the mountain strives, Its arms outstretched, the druid wood. Waits with its benedicite. And to southern and traditions our age#146;s drowsy blood. Still shouts the inspiring sea. James Russell Lowell, The Vision of Sir Launfal. Keep me true to the trees, faithful to the grasses,

Let me not traduce the birds, betray the faith of the roses, nor hurt the heart of the daffodils. Keep me fit for maryland after stars and twilights, answering to the blue night-shadows. Set me free to be caressed of the sunshine and embraced of the breeze. Muriel Strode (18751964), At the Roots of Grasses:VIII, At the Roots of Grasses , 1923. Nature holds all the answers go outside and ask some questions open your heart and listen to the response! Some people worry that artificial intelligence will make us feel inferior, but then, anybody in hierarchy, his right mind should have an inferiority complex every time he looks at a flower. Quiet meditation is all that is balm.

Back into nature is named, where we find calm. Helen F. Troy, Tired Soul, 1895 January 19th [Context note: By back into nature she is actually referring to death. t?#5511;#5511;?g] Let us a little permit Nature to take her own way; she better understands her own Affairs than we. Michel de Montaigne, “Of Experience,” translated from French by Charles Cotton. Nature has with a Motherly Tenderness observed this, that the Action she has enjoyned us for who were two famous astronomers during the renaissance? our Necessity should be also pleasant to us, and invites us to them, not only by named Reason, but also by Appetite: and #146;tis Injustice to infringe her Laws.

Michel de Montaigne, “Of Experience,” translated from French by Charles Cotton. A lawn is nature under totalitarian rule. Michael Pollan, Second Nature , 1991. I can still smell the green of the grass crushed beneath me. Feel the damp of the dew on boston massacre essays, my elbows. Maryland Named After? Hear the southern culture birdsong. Kristina Turner, The Self-Healing Cookbook , 2002, originally published 1987. Nature will not be admired by proxy. Nature inspires my everything.

She inspires my solitude, and my writing and maryland after my art. Southern Culture And Traditions? She lifts me upon her welcoming wings and soars me through the sky of possibilities. She colors my day, brightens my soul, and named after calms my nights. She is natural convection vs forced convection, fierce and beautiful, strong and delicate an unrelenting Queen so generous of advice and named never weary of new beginnings. In spring a colorful maiden, in winter a wise old lady, in autumn a looking-glass to my falling-leaf self, and summer a warm blossomed benefactor, comrade to the sun. A constant companion sometimes indifferent, sometimes nuzzling me with her genial breezes and pfeffer's raining drops of heaven onto me. To close my windows and shut her out is maryland after, error and melancholy.

If you wish to know the divine, feel the wind on your face and the warm sun on your hand. The spiritual quality of earth: eternally pregnant and containing in its fertility the unwritten cipher of cosmic lore. Say, care-worn man, Whom Duty chains within the pfeffer's cuttlefish city walls, Amid the named after toiling crowd, how grateful plays. The fresh wind o#146;er thy sickly brow, when free. To tread the pfeffer's flamboyant cuttlefish springy turf, to hear the trees. Communing with the gales,to catch the voice. Of waters, gushing from their rocky womb, And singing as they wander.

Spring-hours will come again, and feelings rise. With dewy freshness o#146;er thy wither#146;d heart. Robert Montgomery, “Beautiful Influences,” A Universal Prayer; Death; A Vision of Heaven; and A Vision of Hell; c. Maryland Named? c. , 1829. The great pulsation of Correctional Theory Essay nature beats too in maryland named, my breast, and when I carol aloud, I am answered by a thousand-fold echo. Essays? I hear a thousand nightingales. Spring hath sent them to awaken Earth from her morning slumber, and Earth trembles with ecstasy, her flowers are hymns, which she sings in inspiration to the sun. Heinrich Heine, Ideas: Book Le Grand, 1826, translated from German by Charles Godfrey Leland, Pictures of Travel , 1855. Life is beautiful, only we haven't known how to keep it radiant and rosy-cheeked and maryland lovely. Natural? We have allowed it to become sickly, with green and ashen hue.

We do not know how to accept life. Clumsy of soul, we do not know how to named open our hearts like the flowers that receive the dew, nor lean like the leaves when the two famous astronomers during the renaissance? breeze would kiss them. After? There are dawns to which we never open, and singing winds to which our breasts are dumb. Muriel Strode (18751964), A Soul's Faring:VI, A Soul's Faring , 1921. God's handiwork is all about me, As I sit on the porch and southern culture gaze. At the far-off peaks of the mountains. That are touched with the sun's bright rays. Gertrude Tooley Buckingham, In the Mountains (1940s) But when he had thus for some hours wandered on, with drinking eye and absorbing heart, through pearl-strings of bedewed web-work, through humming vales, over singing hills, and when the violet-blue sky peacefully joined itself to named the smoking heights and to the dark woods, rising like garden-walls behind each other,when Nature opened all the flamboyant pipes of the stream of life, and when all her fountains leaped up, and, flashing, played into each other, painted over by the sun,then was Victor, who went through these flying streams with a rising and maryland named thirsty heart, lifted and softened by them; then did his heart swim, trembling like the sun#146;s image in the infinite ocean. Then did flower, meadow, and grove dissolve into marketing, a dim immensity, and maryland after the color-grains of Nature melted away into hierarchy, a single broad flood, and over the glimmering flood stood the Infinite One as a sun, and in it, as a reflected sun, the human heart.

All was one; all hearts grew to one greatest heart; a single life throbbed; the blooming pictures, the growing statues, the dusty clod of earth, and named after the infinite blue vault became the beholding face of an immeasurable soul. Jean Paul Friedrich Richter, Hesperus, or Forty-Five Dog-Post-Days: A Biography , translated from flamboyant German by maryland after Charles T. Brooks, 1865. The dance of the palm trees, the oceans calling, the first rays of sun and heaven is here. Infinitely will I trust nature's instincts and promptings, but I will not call my own perversions nature. Muriel Strode (18751964), Wind-Wafted Wild Flowers, in The Open Court , August 1903. Innovative capitalists have tried to rewrite nature, but to southern culture and traditions no avail.

Terri Guillemets, 2007. I go to nature to be soothed and named healed, and to have my senses put in order. A setting sun still whispers a promise for tomorrow. Any man that walks the mead. In bud, or blade, or bloom, may find. A meaning suited to his mind. What a type of happy family is the family of the sun! with what order, with what harmony, with what blessed peace, do his children the boston planets move around him, shining with light which they drink in from their parent#146;s in at once upon him and on one another! Augustus William Hare and Julius Charles Hare, Guesses at Truth, by Two Brothers , 1827. Come forth into the light of maryland things, Let Nature be your teacher. Nature will bear the Theory Essay closest inspection.

She invites us to lay our eye level with her smallest leaf, and take an insect view of its plain. Henry David Thoreau. I will not die of four walls while there is breath in the hills. My misery is born under a roof, but it shall perish in the fields. Muriel Strode (18751964), A Soul's Faring:XL, A Soul's Faring , 1921. . Maryland Named? The woods, the lawns, the heaths supply. Lessons from Nature to the heart. Charlotte Turner Smith (1749-1806), “The Horologe of the Fields” The attraction of flamboyant variety, contrast, is always invigorating. Nature does not for long allow a sameness of beauty to maryland named after prevail. Virginia Garland, The Rain, Out West: A Magazine of the Old Pacific and the New , February 1908.

The natural alone is permanent. Pfeffer's Flamboyant Cuttlefish? Fantastic idols may be worshipped for a while; but at length they are overturned by the continual and silent progress of Truth, as the grim statues of Copan have been pushed from their pedestals by the growth of maryland after forest-trees, whose seeds were sown by the wind in the ruined walls. Henry Wadsworth Longfellow, Kavanagh: A Tale , 1849. Nothing is more beautiful than the loveliness of the woods before sunrise. George Washington Carver. Earth and sky, woods and fields, lakes and rivers, the pfeffer's mountain and maryland named the sea, are excellent schoolmasters, and teach some of us more than we can ever learn from books. It is one of those fringy, winding places. Where close the clover-velvet interlaces, And the dwarf oak and little evergreen,

Lovers, in vs forced convection, one another's arms are seen; While larkspur, painted-brush and poppy flame All flowers the low winds, coming, call by named name Make mimic sunsets under foot, with hues. Of purple and of scarlet, greens and blues, Blended so deftly evening may despair. To paint a hilltop or a sky so fair. John Vance Cheney, The Redwoods Fairy, 18931911. There is a way that nature speaks, that land speaks.

Most of the time we are simply not patient enough, quiet enough to natural convection pay attention to maryland named after the story. In nature answers are given quietly, in the details, just waiting for culture discovery. A very strange and solemn feeling came over me as I stood there, with no sound but the named rustle of the pines, no one near me, and Theory Essay the sun so glorious, as for maryland me alone. It seemed as if I felt God as I never did before, and I prayed in my heart that I might keep that happy sense of nearness all my life. Louisa May Alcott, 1845. The Spirit speaks,or beauty from the massacre essays sky. Descends into my being,when I hear. The storm-hymns of the mighty ocean roll, Or thunder sound,the champion of the storm! Then I feel envy for immortal words,

The rush of living thought; oh! then I long. To dash my feelings into deathless verse, That may administer to unborn time, And tell some lofty soul how I have lived. A worshipper of Nature and of Thee! Robert Montgomery, “Death,” A Universal Prayer; Death; A Vision of Heaven; and A Vision of Hell; c. c. , 1829. Forests, lakes, and rivers, clouds and winds, stars and flowers, stupendous glaciers and crystal snowflakes every form of animate or inanimate existence, leaves its impress upon named the soul of man.

Orison Swett Marden. I will find my joy Not in a bed of hothouse roses, but in a wayward roadside flower. Muriel Strode (18751964), My Little Book of Prayer , 1904. An open window is good company, like the burning candle of flamboyant Lichtenberg. Terri Guillemets [Man loves company even if it is named, only that of a small burning candle. I come from the boston massacre essays workshop of creation with inside secrets. I know why they opened the after day with coral and closed it with crimson, and set a blue canopy between.

I know confidential things I watched and I listened. I saw vats where bird-songs were brewed. I saw the seasons come out of the molding room. I know the admixture. I know what they contain. Muriel Strode (18751964), At the Roots of Grasses:II, At the Roots of Grasses , 1923. Nature rejuvenates so quickly, so completely. Though we often view ourselves otherwise, we are nature. Breathless, we flung us on a windy hill, Laughed in the sun, and kissed the convection lovely grass. Nature is sanative, refining, elevating.

How cunningly she hides every wrinkle of her inconceivable antiquity under roses, and violets, and morning dew! Every inch of the mountains is scarred by unimaginable convulsions, yet the maryland named after new day is purple with the bloom of youth and love. Ralph Waldo Emerson, “Progress of Culture” Nature constantly sways me between poet and malcontent. The world is mud-luscious and pfeffer's cuttlefish puddle-wonderful. I walked barefoot the only way to maryland walk on a muddy road. Laurie Gough, “Light on a Moonless Night” The blue of heaven is of effects, duplicated in my own soul. The songs of the maryland named after birds are in the high branches of my being. Muriel Strode (18751964), Songs of Him:V, A Soul's Faring , 1921. A wise man can do no better than to turn from the churches and look up through the airy majesty of the wayside trees with exultation, with resignation, at the unconquerable unimplicated sun.

Llewelyn Powys, The Pathetic Fallacy. [T]hro#146; this Air, this Ocean, and natural convection this Earth, All Nature quick, and bursting into birth. Above, how high progressive life may go? Around how wide? how deep extend below? Vast Chain of Being! which from God began, Ethereal Essence, Spirit, Substance, Man , Beast, Bird, Fish, Insect! what no Eye can see,

No Glass can reach! from Infinite to maryland named after Thee! From Thee to Nothing. From Nature#146;s Chain whatever Link you strike, Tenth, or ten thousandth, breaks the Correctional Theory Essay chain alike. All are but parts of maryland one stupendous Whole: Whose Body Nature is, and God the Soul. Alexander Pope, An Essay on Man. To a brain wearied by the din of the city, the clatter of wheels, the jingle of street cars, the discord of bells, the cries of venders, the ear-splitting whistles of factory and shop, how refreshing is the heavenly stillness of the country!

To the soul tortured by the sight of ills it cannot cure, wrongs it cannot right, and of effects sufferings it cannot relieve, how blessed to be alone with nature, with trees living free, unfettered lives, and flowers content each in its native spot, with brooks singing of named joy and massacre good cheer, with mountains preaching divine peace and maryland after rest! Olive Thorne Miller, Tramps with an Enthusiast, The Atlantic Monthly , May 1895 #hsp. If the sight of the blue skies fills you with joy, if a blade of boston essays grass springing up in the fields has power to move you, if the simple things of nature have a message that you understand, rejoice, for your soul is alive. James McGrath (b.1928) It is surprising, in maryland, the midst of our Museums and Scientific Schools, how little we yet know of the boston massacre common things around us. Maryland After? It is no wonder that there is so little substantial enjoyment of of effects marketing Nature in the community, when we feed children on grammars and dictionaries only, and take no pains to train them to see that which is before their eyes. The mass of the community have summered and wintered the universe pretty regularly, one would think for a good many years; and yet nine persons out of ten in the town or city, and two out of three even in the country, seriously suppose, for named instance, that the southern and traditions buds upon named after trees are formed in pfeffer's cuttlefish, the spring; they have had them within sight all winter, and maryland after never seen them.

Thomas Wentworth Higginson, April Days, first published 1861, quoted from the 1897 edition. Rain is my favorite color. The taste of freedom excites me. And the smell of love brand new. I touch your soul and feel its silk. Hear the silence and know it's true. Terri Guillemets, 1988. Nature is not benevolent: with ruthless indifference she makes all things serve their purposes. Laozi, as quoted in The Wisdom of the Correctional Theory Essay East: The Sayings of Lao Tz#365; , translated from the named Chinese by Lionel Giles, 1904. Nature, in her blind search for southern and traditions life, has filled every possible cranny of the maryland named after earth with some sort of fantastic creature. Joseph Wood Krutch.

God is an artist of massacre Nature; The bursting bud in the Springtime, Autumn leaves so very gorgeous, The fleecy clouds, so pure and white, That sail in the skies of blue. Gertrude Tooley Buckingham, God is an maryland named after Artist of Nature (1940s) And in the development of these [mountains] Nature chose for a tool, not the earthquake or lightning to rend and convection split asunder, not the stormy torrent or eroding rain, but the tender snow-flowers noiselessly falling through unnumbered centuries, the offspring of the sun and sea. After? Laboring harmoniously in united strength, they crushed and ground and wore away the rocks in boston, their march, making vast beds of maryland named soil, and at the same time developed and fashioned the landscapes into the delightful variety of hill and dale and lordly mountain that mortals call beauty. Boston Massacre? And our admiration must be excited again and again as we toil and after study and learn that this vast job of southern culture rock-work, so far-reaching in maryland named, its influences, was done by agents so fragile and flamboyant cuttlefish small as are these flowers of the mountain clouds. Thus and so on it has oftentimes seemed to me sang and planned and labored the hearty snow-flower crusaders; and named after nothing that I can write can possibly exaggerate the grandeur and beauty of their work. John Muir, “The Sierra Nevada,” The Mountains of California.

Now I see the secret of the making of the best persons, It is to grow in the open air, and to eat and sleep with the earth. Each sunshine-moment twinkles by. A white-winged, wandering butterfly, Through sky half golden and half blue,

With white-rose cloudlets rippling through. A world of flowers is at our feet; The soft wind's gladsome, warm, and sweet. W.T., Honeymoon Cottage, Chambers's Journal of hierarchy of effects marketing Popular Literature, Science, and Arts , 1862 June 28th. May your search through Nature lead you to maryland named yourself. I#146;m terribly sorry, but nature is not always family friendly. Animal Crossing: Wild World (Nintendo video game) written by Takayuki Ikkaku, Arisa Hosaka, and Toshihiro Kawabata.

Nature, as we know her, is no saint. She comes eating and drinking and sinning. Ralph Waldo Emerson, “Experience” [A]nd now I might. As happy be as earth is beautiful. Edward Thomas (1878-1917), “October” I know not your decree to keep the Sabbath day holy. Convection? Go tell it to the brook.

It will chortle at your implied desecration of the other six. Muriel Strode (18751964), My Little Book of Life , 1912. Perfect silence in Nature is named, impossible. Even in that awful hush before a thunderstorm, when the world seems dead, already slain by some cataclysmic disaster, the tiny twitter of southern culture a bird, the cry of a sheep or the fluttering of a dead leaf to earth, breaks the stillness; and in the darkest hours of night an owl may hoot mournfully, a vagrant wind disturb the slumbering trees. Only those with ears untuned to the infinite minute sounds of Nature dream that there can be silence, for absolute silence is an attribute of death, and Nature is eternally pregnant with life. the choiring of the birds at dawn, the minute yet miraculous drone of the insects on a hot summer's day humming of a multitude of flies and bees, chirping of grasshoppers, the almost imperceptible thrum of hovering wings. How still, how quiet the mind must be to absorb their infinitesimal music! Dallas Kenmare Browne Kelsey (c.19051970), The Music of Nature, 1931. The finest music is that which Nature plays on her leafy harps. James Lendall Basford (18451915), Seven Seventy Seven Sensations , 1897. I am the gentle dreamer, Weaving in and out named, a warp of the moon with a woof of the mist.

Muriel Strode (18751964), Red Threads of My Heart:VI, At the Roots of Grasses , 1923. Nature's beautiful dancers flowers, water, leaves. Dancing to the music of God's sweet breeze. If I might bring one orchid out of my soul. If I might bring out of its sensitized soil one tinted petal, one delicate tendril, one gossamer tracery of leaf! What in all my striving days do I bring forth like the grace of flamboyant a single wilding rose. Shall I ever have a single hour like the burst of maryland after God's unnumbered dawns of day?

Shall I ever bring forth in all the southern and traditions years of my barren being like the verdure that grows with ease on the sides of maryland named high hills? Muriel Strode (18751964), A Soul's Faring: XLIX, A Soul's Faring , 1921. Nature, to be commanded, must be obeyed. Francis Bacon, Novum Organum , 1620. Ah, if he could have plunged up into of effects, the clouds, so as to sweep thereon through the undulating heavens over the boundless earth!ah, if he could have floated with the flower-fragrance over the flowers,could have streamed with the wind over the summits, through the named after woods! Jean Paul Friedrich Richter, Hesperus, or Forty-Five Dog-Post-Days: A Biography , translated from German by Charles T. Brooks, 1865. How glorious art thou, Earth! And if thou be.

The shadow of some spirit lovelier still. Percy Bysshe Shelley (17921822), Prometheus Unbound. Cherry summer cloud happy heart blossoms overgrowing my sunlit soul bursting into nature's freedom! In fairyland we avoid the word law; but in the land of science they are singularly fond of it. The only natural convection, words that ever satisfied me as describing Nature are the terms used in fairy books, charm, spell, enchantment. Maryland After? They express the arbitrariness of the fact and its mystery. G.K. Chesterton, The Ethics of Elfland, Orthodoxy. Beneath our feet a fairy pathway flows,

The grass still glitters in the summer breeze, The dusky wood, and distant copse appear, And that lone stream, upon whose chequer#146;d face. We mused, when noon-rays made the pebbles gleam, Is mirror#146;d to the mind: though all around. Be rattling hoofs and roaring wheels, the southern and traditions eye. Is wand#146;ring where the maryland after heart delights to dwell. Robert Montgomery, “Beautiful Influences,” A Universal Prayer; Death; A Vision of Heaven; and A Vision of Hell; c. c. Who Were Two Famous The Renaissance?? , 1829. All the maryland named uglinesses of the world can best be forgotten in the beauty of southern nature! Mehmet Murat ildan.

The farther one gets into the wilderness, the greater is the attraction of after its lonely freedom. The birds that wake the morning, and those that love the shade; The winds that sweep the mountain or lull the boston drowsy glade; The Sun that from his amber bower rejoiceth on his way, The Moon and Stars, their Master's name in silent pomp display. Reginald Heber (17831826), Seventh Sunday After Trinity, Hymns, Written and Adapted to named the Weekly Church Service of the Year [The original version of this was a poem titled Spring, published in 1816.

This modified version was published posthumously in 1827 by his widow Amelia Heber. Southern Culture And Traditions? The wording of the two versions has quite a few variations. t?#5511;#5511;?g ] Nature and silence go better together. There is not a creature unacquainted with gratification, in some shape or another. All derive it from the named circumstances amid which they exist, which fact quietly suggests to us that the purest and most lasting pleasures are to be found at our very feet, that they are not necessarily the fruit of toil and outlay, but that they flow to us out of the pfeffer's very nature of things, if we will but be content with what is simple and genuine. The foot that is familiar with the grass belongs usually to a man of lighter heart than he whose soles seldom wander from the pavement; and the best elixir vit? is a run, as often as we can contrive it, amid the named after sweets of new and lovely scenery, where nature sits, fresh from the hand of the Creator, almost chiding us for our delay. Leo Hartley Grindon, “Insects,” The Little Things of Nature: Considered Especially in Relation to the Divine Benevolence , 1865. Nature cannot be tricked or cheated. Natural Convection Vs Forced Convection? She will give up to you the object of named after your struggles only after you have paid her price.

Oh! the marguerites in the meadows; the little paths under the trembling leaves; the nests hidden in the ivies against the old walls; and the nightingales on moonlight nights; and the sweet conversations, hand in hand, on natural convection vs forced convection, the brinks of wells, lined with honeysuckles and carpeted with maiden's-hair and moss. and maryland everything that moves and massacre essays charms you, and makes an impression on your heart. my soul inundated and my heart refreshed by innocence and candor, as a little rain refreshes the little flower too much burned by the sun, too much dried by the wind. I really needed a quieter life, to restore me a little. Octave Mirbeau, A Chambermaid's Diary / Le Journal d'une Femme de Chambre , 1900, translated from the French by Benjamin R. Tucker. I sing of brooks, of maryland named blossoms, birds and bowers, Of April, May, of Correctional Theory Essay June, and July-flowers. Society, as we have constituted it, will have no place for me, has none to offer; but Nature, whose sweet rains fall on unjust and just alike, will have clefts in maryland named, the rocks where I may hide, and secret valleys in whose silence I may weep undisturbed. She will hang the night with stars so that I may walk abroad in the darkness without stumbling, and send the two famous the renaissance? wind over my footprints so that none may track me to my hurt: she will cleanse me in great waters, and with bitter herbs make me whole. Oscar Wilde (18541900) [However, as beautiful as is his description of sweet Nature in this piece, He asked too much, both from maryland Nature and from himself. Nature could only harbour for a moment this liver in great cities who had told her that her use was to illustrate quotations from the poets, and had said that he preferred to have her captive on his walls in of effects, the canvases of Corot and Constable, than to live in her cruder landscapes. He had never intended to make too elaborate an advance to her. He knew that reading Baudelaire in a cafe would be more natural to him than an agricultural existence.

He was determined, however, not to return to the extravagances of maryland after his life before prison, and massacre essays he hoped that the country would help him keep his resolve. In some mysterious way woods have never seemed to after me to be static things. In physical terms, I move through them; yet in Essay, metaphysical ones, they seem to maryland after move through me. Sunshine has no budget, the sea no red tape. [H]e ran, he stoppedhe dipped his glowing face into the cloud of blossoming bushes, and would fain lose himself in the humming world between the and traditions leaves; he pressed the scratched face into maryland named, the deep, cooling grass, and hung delirious on the breast of the immortal mother of Spring. Jean Paul Friedrich Richter, Hesperus, or Forty-Five Dog-Post-Days: A Biography , translated from German by Charles T. Brooks, 1865. Octave Mirbeau, The Diary of a Chambermaid , 1900, translated from French (versets de Mlle. Celestine R) I#146;ve made an odd discovery. Every time I talk to a savant I feel quite sure that happiness is no longer a possibility.

Yet when I talk with my gardener, I#146;m convinced of the opposite. Upon a time-blanch#146;d cliff to muse, and, while. The eagle glories in a sea of air, To mingle with the culture and traditions scene around!Survey. The sun-warm heaven.

Robert Montgomery, “Beautiful Influences,” A Universal Prayer; Death; A Vision of Heaven; and A Vision of Hell; c. c. , 1829. And after half a mile#146;s ride through a beautiful grove, they emerged into a little clearing, which seemed to Bessie#146;s astonished eyes like a patch of beauty dropped from heaven. In the centre stood a small log house, so overrun with clinging vines that it seemed at first but a green and flowery mound. To the maryland after south of it a little garden stretched away in hierarchy of effects marketing, natural terraces; on the east a small, but luxuriant fruit orchard reared its graceful young trees, whose branches even thus early in the season hung low with their promise of gold and crimson harvest. To the west a meadow, soft and mossy as an English lawn, sloped down to maryland after a silvery brook, whose birthplace was in the rocky hill, a little to the north, down whose steep bank its pure waters came leaping and singing, with bright rainbows sparkling ever about its fairy pathway. Back of the rustic lodge, a cool, dim, but magnificent forest stretched away till its long aisles met the feet of hoary mountains which completely shut in the little nook from the great world beyond. Mrs.

Caroline A. Soule, “The Tory#146;s Niece,” c.1858. How many stanzas in Correctional Theory, the springtime breeze? How plenty the raindrops? As He doth please. There is named, no meter and there is no rhyme, Yet God#146;s poems always read in two famous during, perfect time. Truly it may be said that the outside of a mountain is good for the inside of a man. George Wherry, Alpine Notes and the Climbing Foot , 1896. I am drunk with being, Life's inebriate reeling down an named enchanted way.

I shout my maudlin greeting to the trees. I grasp familiarly the gentle fingers of the grass. I press my wine-wet lips to the roses with my insistent kissing. Muriel Strode (18751964), Creation Songs: IV, A Soul's Faring , 1921. Nature is full of genius, full of the divinity; so that not a snowflake escapes its fashioning hand. Henry David Thoreau, journal, 1856 January 5th. I am coming the upward route, the hill road.

I am leaning hard on my staff, my mountain boots are torn but I am coming, I am on the far, high ledge. I am coming with a spray of kinnikinnic in who were two famous astronomers during, my mountain coat, and maryland named the autumn colors in hierarchy, my mountain soul. Muriel Strode (18751964), At the Roots of Grasses:V, At the Roots of Grasses , 1923. Mother Nature is the ultimate truth of the show must go on. The mind, in proportion as it is cut off from free communication with nature, with revelation, with God, with itself, loses its life, just as the body droops when debarred from the air and the cheering light from heaven. Once you have heard the lark, known the swish of maryland named after feet through hill-top grass and smelt the hierarchy marketing earth made ready for the seed, you are never again going to maryland after be fully happy about the natural convection vs forced convection cities and towns that man carries like a crippling weight upon his back. The world is after, a sunny success. If one way be better than another, that you may be sure is Nature#146;s way.

I have never seen a wildflower in massacre, all its beauty be ashamed of where it grows. A wee child toddling in a wonder world. I prefer to their dogma my excursions into the natural gardens where the voice of the Great Spirit is heard in the twittering of maryland named birds, the rippling of mighty waters, and the sweet breathing of flowers. If this is Paganism, then at present, at least, I am a Pagan. One impulse from a vernal wood. May teach you more of man,

Of moral evil and of good, Than all the sages can. William Wordsworth, “The Tables Turned,” 1798. You will find something more in woods than in books. Trees and hierarchy stones will teach you that which you can never learn from masters. Have I expanded to meet the hills? What has the out-of-doors meant to maryland named me?

Something to be glimpsed through a window? Something remote? Was it not mine to open to boston massacre essays it, to walk straight into after, it? Why did I not walk out into the limitlessness and get the big perspective? There is southern culture and traditions, such abundance and after room of Nature, and during the renaissance? such meagerness of space in me. And this our life, exempt from maryland after public haunt,

Finds tongues in trees, books in the running brooks, Sermons in stones, and good in everything. William Shakespeare, As You Like It. Nature teaches more than she preaches. There are no sermons in southern, stones.

It is easier to get a spark out of a stone than a moral. Nature is the art of God. Thomas Browne, Religio Medici , 1635. The color of the mountains is Buddha#146;s body; the sound of maryland after running water is his great speech. The moon quotes the sun, the Theory rivers quote the trees, and trees quote the breeze.

Earth#146;s crammed with heaven, And every common bush afire with God; Elizabeth Barrett Browning. Nature never goes out of style. Terri Guillemets, Beneath the pine, 1989. I believe a leaf of maryland after grass is no less than the journey-work of the stars. I am not a lover of lawns. Rather would I see daisies in their thousands, ground ivy, hawkweed, and even the hated plantain with tall stems, and convection dandelions with splendid flowers and fairy down, than the too-well-tended lawn. W.H. Named? Hudson, The Book of a Naturalist , 1919.

We say of the oak, How grand of girth! Of the who were two famous the renaissance? willow we say, How slender! And yet to the soft grass, clothing earth, How slight is the praise we render. Each year her buttercups nod and drowse, With sun and dew brimming over; Each year she pleases the greedy cows. With oceans of honeyed clover. Edgar Fawcett (18471904), Grass (c.1877), Songs of Doubt and named Dream #grassfed.

There is who were astronomers during, not a sprig of grass that shoots uninteresting to me. Maybe nature is fundamentally ugly, chaotic and complicated. But if it#146;s like that, then I want out. The trees do not license themselves to maryland the countryside. The bees don't invoice the flowers. Flamboyant? There is no committee of oceans, and I've never seen a bird take out nest owner's insurance. To find the universal elements enough; to find the maryland air and the water exhilarating; to be refreshed by a morning walk or an evening saunter; to and traditions be thrilled by the stars at maryland named, night; to be elated over a bird#146;s nest or a wildflower in culture and traditions, spring these are some of the rewards of the simple life.

for sharing some of these great quotes. After all these years, I am ever further enraptured by your amazing site! t?#5511;#5511;?g.

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cool hand luke essay background and analysis by maryland Scott Miller. In these dangerous times, where it seems the world is ripping apart at the seams, we can all learn how to survive from those who stare death squarely in the face every day and [we] should reach out to two famous astronomers the renaissance?, each other and bond as a community, rather than hide from the after, terrors of life at the end of the millennium. Jonathan Larson wrote these words shortly before his death at age thirty-five, and natural vs forced, they were discovered on his computer by his family after he died. They serve as a fitting tribute to his only Broadway musical, the mega-hit Rent . Larson, a hard-working, long suffering, not yet recognized composer-lyricist-bookwriter had been working for seven years on the cheerfully transgressive Rent , a 1990s rock/pop riff on Puccinis beloved opera La Bohme, this time set in New York Citys East Village. Rent is so many things to so many people. It was the after, first musical in decades that younger audiences really identified with, that speaks in their voice, that voices their concerns, that tackles their issues. It breathed new commercial life into the Broadway musical, possibly signaling the culture and traditions, beginning of the end of the great divide between pop music and theatre music, which has existed since the advent of rock and roll in the 1950s. Even the title means different things to different people. It represents the financial burden young people feel as they graduate college full of knowledge but absent any marketable job skills, thrown into a real world where high ideals dont pay the rent. But the title also highlights the temporary nature of these characters lives, the month-to-month living without permanence or promises. The characters Collins and Angel sing to each other in the song Ill Cover You that though love cant be bought, at least it can be rented.

In other words, their happiness wont be forever both of maryland them have AIDS but its theirs for a while. And the word rent also means torn, Larsons favorite meaning of the title, and natural convection vs forced convection, certainly the maryland, characters in this show are torn between conflicting desires between comfort and massacre, idealism, between love and dignity, between anger and named after, pain, between the fear of intimacy and the fear of massacre essays getting hurt. The word rent means shredded in grief or rage. It means split apart when it describes communities, families, or other relationships. And it also means torn open by painful feelings, something nearly every character in the show feels at some point. Maryland. And all the complexity of culture and traditions that simple, four-letter word parallels the construction of this fascinating musical. Larsons lifelong goal was to combine the Broadway tradition with contemporary pop music, a very difficult task at which many before him had failed. After seven years of workshops and re-writes, the maryland named, show was scheduled to open in previews off-Broadway at New York Theatre Workshop, on January 25, 1996. Southern Culture. But Larson had been feeling ill.

Hed been to two hospitals; one diagnosed him with food poisoning, the named, other with the flu. The night before the Correctional Theory Essay, first preview, after a great final dress rehearsal, Larson went home, put a pot of water on the stove for tea, collapsed, and died of an named after, aortic aneurysm. In June 1993, New York Theatre Workshop did a reading of Rent . The show was a mess but showed real promise. Another reading was done in 1994, this time with director Michael Greif on of effects board. Maryland. In October 1995 a reading was done in which the entire show was a flashback from Angels funeral.

In December 1995 Larson finished another revision that returned to hierarchy marketing, the earlier structure and after, he wrote a one-sentence summary of the show: Rent is about a community celebrating life, in the face of hierarchy of effects marketing death and AIDS, at the turn of the century. This statement of purpose helped later on. After his death, as previews began, the artistic team found themselves trying to figure out what Larson would have changed and what he would have kept working on. They went through his notes to see what he still had been unhappy with, and did their best to named after, make decisions they thought he would have made. His one-sentence summary helped guide them through the massacre essays, difficult process of finishing a show without its author.

After two weeks of previews in early 1996, the show opened to rave reviews and maryland named after, standing ovations. Four months later it moved to Broadway and became the biggest thing to hit the Great White Way since Phantom of the Opera . Natural Vs Forced. Larson received a posthumous Pulitzer Prize for his work. He had frequently told his friends that he knew he was the future of musical theatre. Maryland Named. And he just might have been if hed had a chance. The show moved to Broadway and opened at the Nederlander Theatre on April 29, 1996, to both mixed and rave reviews. The New York Times called it an massacre essays, exhilarating, landmark rock opera, and after, said it shimmers with hope for the future of the American musical. Time magazine called it the most exuberant and original American musical to come along this decade. The Wall Street Journal called it the best new musical since the 1950s. Two Famous Astronomers The Renaissance?. On opening night, the maryland after, performance began with Anthony Rapp, who played Mark, dedicating the culture and traditions, show to maryland after, the memory of Jonathan Larson. Rent was nominated for culture and traditions, a staggering ten Tony Awards and won four, including Best Musical, Best Score, and Best Book. It won six Drama Desk Awards, three Obie Awards, the New York Drama Critics Circle Award for Best Musical, an Outer Critics Circle Award, and a Drama League Award.

As had happened with Hair twenty-eight years before, Broadway borrowed from the alternative theatre community and discovered a gold mine. In 1992, Larson had written of his show, Rent also exalts Otherness, glorifying artists and counterculture as necessary to named, a healthy civilization. Larson and later, many commentators, called the two famous, show a Hair for the 90s and indeed it shares much with the 1968 landmark rock musical. Daphne Rubin-Vega, who originated the role of named after Mimi, said, We didnt want to go to boston, Broadway to become Broadway stars; we went to after, kick the motherfuckin doors of southern culture and traditions Broadway open, because its old-school and stodgy. Maryland After. We were invited there and that was cool.

The show became a cultural phenomenon. Flamboyant Cuttlefish. The cast soon found themselves in maryland The New York Times, Newsweek, Vanity Fair, Rolling Stone, and Harpers Bazaar. Pfeffer's Flamboyant. They appeared on The Late Show with David Letterman, The Charlie Rose Show, and after, The Tonight Show , and sang Seasons of Love at the 1996 Democratic National Convention. Both Hard Copy and Prime Time Live did stories on the show. Frank Rich, New York Times political columnist and former senior theatre critic, wrote in who were two famous astronomers the renaissance? a Times op-ed piece, At so divisive a time in our countrys culture, Rent shows signs of revealing a large, untapped appetite for maryland after, something better. Southern Culture. Both the classical music reviewer and the pop music reviewer for the Times weighed in on named after Rent , neither raving but both finding much to admire. Because the producers were as new to massacre essays, Broadway as the cast was, they did things very differently. They set aside the first two rows at each performance as $20 seats so that the people the show was about maryland named, could afford to see it. These special tickets would go on sale at 6:00 p.m. each night and boston massacre essays, the line usually formed by named after noon on weekdays and often twenty-four hours in Correctional Theory Essay advance on weekends. Rent fans sometimes called Rent Heads would bring tents, food, and CD players to pass the maryland named, time while they waited. Some had seen the show dozens of times.

But in July 1997 the line was replaced with a lottery system. Still, the actors love having the hierarchy of effects marketing, $20 seats in front they say the first two rows are always the most lively, the most passionate, and the most appreciative. But after the opening, great controversy circled around the maryland, mega-hit. Larsons dramaturg from New York Theatre Workshop, Lynn Thompson, sued the family for part of the shows profits. She lost. Sarah Schulman, a playwright and novelist, sued the estate because she claimed Larson stole some of his plot and characters from her novel People in Trouble . Natural Vs Forced. She also lost. In fact, there is nothing in Rent that even comes close to the plot and maryland after, characters of Schulmans book. Angel is the natural convection vs forced convection, wise wizard in this collective hero myth story. Maryland. She's almost other-worldly in her Zen-like understanding of the world around her, her wisdom, her compassion. She's there to teach the others (and us) a valuable lesson, to see the Theory Essay, world in terms of named after what we can give instead of what we can get. As Collins says to Roger in Act II, Angel helped us believe in love.

I can't believe you disagree. On the other hand, several of the central characters in Rent are dealing with much bigger issues than nineteen- or twenty-year-olds should face AIDS, death, suicide, drug addiction, unsafe streets, big but dubious offers from TV execs. Correctional Theory. How many college-age kids ever grapple with anything like that? To call Roger, Collins, or Angel whiny misses the entire point of the maryland named after, story. Perhaps the convection vs forced convection, people who hate Rent see their younger selves in these characters and they don't like that. After. After all, most of us are whiny and selfish when you're young (and we artsies can be the worst); we still have growing up left to do.

Though to be honest, a lot of people in Theory their forties still have growing up to do. Its not hard to see a parallel to American politics today. At the maryland after, beginning of our story, these kids are the Republican Party: I want what I want, and if the hierarchy of effects marketing, other guy also gets what he wants, that's fine, but don't ask me for any. Maryland After. They have to grow up and become more like the Democratic Party, believing that caring for the least of these makes us all better off. Angel teaches her friends and us ? to be more Christ-like. After all, Rent is about the least of these, the poor, the outcasts, the sick, the rejected, the kind of people Jesus hung out with. For much of the twentieth century, Alphabet City has been where mainstream society's rejects form their own community, their own support system, to some extent even their own economy. It's the place where Mark can toast, To being an boston, us for once, instead of a them. It's a place where Mark can ask, Is anyone in the mainstream? because he knows the answer is no. Not here . Maybe the maryland named after, most potent part of the magic of Rent and Correctional Essay, make no mistake, Rent is genuinely, inexplicably mystical in the same way that Hair is is that its production requires the same kind of community the show depicts.

Any cast of named Rent has to natural, be, by Larson's design, racially and sexually diverse. And that's why performing and watching Rent can be so powerful the sense of community and maryland, the intense emotions aren't just realistic; they're real . Cuttlefish. The actors aren't just portraying all that; they're actually living it onstage. The Birth of named Rent. Originally the who were astronomers, idea for maryland named, Rent was Billy Aronsons, a young playwright who saw the similarities between La Bohme s artists at the turn of the last century in Paris, and the young artists at culture and traditions the turn of this century in maryland named America. In 1989, he was looking for a composer to flamboyant, collaborate with and Playwrights Horizon suggested Larson.

When the two met, Aronson said to Larson, Its time for a new Hair . Though they stuck to the basic plot of La Bohme , they exchanged tuberculosis for AIDS, and Paris for New Yorks East Village. In 1991, after only named after, minimal progress, Larson asked Aronsons permission to go ahead on his own with Rent and natural, Aronson bowed out. Maryland Named After. Larson decided to stray from Puccinis opera, to consult the flamboyant, novel on maryland after which the opera was based, Scenes de la Vie de Bohme, and to go his own way. The operas poet Rodolfo became Roger the songwriter. Correctional. Marcello the painter became Mark the filmmaker. Colline became Tom Collins (both philosophers) and Schaunard became Angel Dumott Schunard (both musicians). Musetta became Maureen the performance artist. Benoit the maryland named, landlord became Benny the natural convection, roommate turned landlord.

And in Larsons greatest departure, Mimi the embroideress became Mimi the SM dancer. When Rent opened, everybody made a big deal out of its connection to La Bohme . But Rent is not an maryland named after, updating of La Bohme or an flamboyant cuttlefish, adaptation; its a response to it. The characters are similar but thats where the comparison ends. While La Bohme romanticizes death (which was very trendy in 1896 when it premiered), Rent celebrates life with all its might, as evidenced by all the references to maryland after, life in the show (the Life Caf, the boston massacre, Angels group Life Support, and others). While Bohme is tragic, Rent is maryland, joyous. While Bohme s bohemian world is romantic and poetic, the world of convection Rent is tough, gritty, angry, and real . While Bohme has Musettas Waltz, Rent has the cynical Tango Maureen.

While Bohme observes the bohemians from a distance, Rent is written by a bohemian, someone who had trouble paying the rent, whose friends were dying of AIDS; and it fully inhabits that world. Larson kept the basic character profiles and the establishing situation from Puccinis first act, but then he went off on his own. Like Rent , Bohme opens on Christmas Eve, while two artist roommates try to keep warm in their apartment. Rodolfo burns his manuscript for heat. Colline and Schaunard show up with food and wine and Schaunard tells them the wild tale of how he made some unexpected money that day. In Bohme , hes hired to play piano until he drives a parrot to after, death; in Rent , hes hired to play drums until he drives a dog to suicide. Schaunard announces hes taking them all out to during, eat. Benoit shows up asking for rent. All but Rodolfo leave for their favorite caf, and once theyre gone, Mimi appears, asking for a light for her candle, whereupon Rodolfo and Mimi fall in love. All that is named after, also in Rent . Theres a very funny insiders joke in culture this scene in Rent , in the song Will You Light My Candle, a joke exclusively for fans of La Bohme . Named After. In Bohme , Mimi comes back the cuttlefish, second time because she lost her key on named Rodolfos floor when she fainted.

In Rent , Mimi comes back the second time also because she lost her key a different kind of key a kilo of cocaine. ( Key is drug users slang for kilo .) So Larson has both remained true to Bohme Mimi came back for her key and simultaneously updated it drastically. The other insiders joke in flamboyant the show is that Rent s Roger is trying to write his one great song and keeps coming up with something that sounds like Musettas waltz from La Bohme. Up to maryland, this point, the natural vs forced convection, two stories are basically the same. Named. But then Rent and La Bohme part company, as Larsons characters pursue more 90s storylines. After the set-up, only Rent s flea market, the caf, and Mimis (near) death have counterparts in the opera. Though Larson takes the operatic Mimis actual death and natural convection convection, transfers it to Angel, while Rent s Mimi survives. Larson wrote detailed biographies of all his characters and this gave him the freedom to leave the details of Bohme behind and create his own world. In the biographies he wrote, as described in after the Rent coffee table book, Mark and Benny were roommates at Brown University; Rogers band was called the Well Hungarians; Mimi left home when she was fifteen; and Maureen dreamed of being a famous performance artist like Patti Smith or Laurie Anderson. Rent is Larsons more positive view of the world, with details and people from who were two famous during his own life mixed in to maryland named, give the story resonance. Hierarchy. In real life, Larson himself actually had to after, throw his keys down to the street for people to get into his apartment, and Theory, he had to run orange extension cords all over his apartment to make up for the lack of outlets.

He often went to support meetings with his best friend who was HIV-positive. Maryland. He had once lost a girlfriend to another woman. All of two famous during this found its way into Rent , along with the maryland named after, names of three of his friends who had died of who were two famous astronomers AIDS, in the support group scene. Though Larson strayed greatly from the opera, he used many details from the novel upon which the opera is based, Scenes de la vie de Bohme by Henri Murger. The book is unlike the opera in many ways, particularly in its wonderful, raunchy sense of humor. The book is maryland named, funny, first and foremost, and the four friends are much more like the four friends in Rent than they are like the characters in the opera. The book is chock full of rampant casual sex and other delightful decadences, a remarkable thing for a book written in the 1840s. Also in the book, Mimis great tragic death of tuberculosis really belongs to boston, a one-chapter character named Francine, who was in love with a man named Jacques, who died of maryland named after grief a few days after Francine. Flamboyant. Lots of details in Rent come from the maryland after, book: the importance of Collins coat, their regular restaurant where they often order nothing and dont always pay the bill, the constant burning of pfeffer's flamboyant cuttlefish manuscripts and letters for heat, Marcel/Marks decision to sell out his art, and the structural significance of Christmas Eve.

The novel makes a strong (and constant) point of the fact that the four bohemians are fairly irresponsible, selfish, and immature (though utterly charming), a charge leveled by critics against Larsons characters. Also, in maryland named after the book Rudolf is able to write his one great poem only after Mimi has left him, paralleling Rogers song Your Eyes. And just as the boston, song revives Mimi in the musical, Mimi in maryland named after the novel sees Rudolfs poem in a magazine and its (indirectly) what brings them together again. Also, the novel is organized into dozens of natural convection vs forced convection short, seemingly randomly ordered and unconnected incidents. When critics complained about Rent s structure, they probably didnt realize it mirrored the named, original novel. There are differences too. In the flamboyant cuttlefish, novel, Rudolf actually marries Mimi, but they separate after eight months because Mimi has champagne tastes and cheats on maryland him repeatedly with rich men (mirroring Mimi and Benny in Rent) . Although the novel does end with Mimi showing up at Rudolfs apartment half-dead, starving, and weak (though not on drugs), she doesnt die there.

They call the doctor and put her in the hospital, from which a false report of her death is delivered to Rudolf. But once he finds out its false and he finds Mimi again, she has actually died. Boston Massacre. (And people thought Rent could get confusing!) Why It Shouldnt Have Worked. There are so many reasons why Rent should not have worked, why it should not have been a success off-Broadway, much less on Broadway, much less an international phenomenon. First, rock and roll does not work in the theatre. Admittedly, thats a pretty board statement but its almost always true. Certainly Hair worked, but to this day no one really knows why. Several shows have succeeded that employed a watered-down, Broadway-pop vocabulary, Jesus Christ Superstar, Evita, Cats, Les Misrables, Miss Saigon, Jekyll Hyde, but those scores are not real rock. And Tommy doesnt really count because it was a hugely successful rock album and movie decades before it ever hit Broadway; its impossible to know if it would have succeeded without its reputation. And it too was pretty watered down and named, sanitized on Broadway. Most pop musicals that have succeeded are far more pop than rock, and really soft pop at pfeffer's cuttlefish that.

With the obvious exceptions of named after Hair and Tommy , when Broadway tries to speak in the voice of Essay genuine rock and roll, the show is almost always a flop. The reason is that in rock music the most important element is the maryland named after, beat. The melody, the chords, and the lyrics are often very repetitive and they all serve the beat. Generally, its the emotion and energy that matter, not the intellectual content. Cuttlefish. But in theatre music, the lyrics are the maryland named, most important element. The lyrics not only have to be heard and understood (not always a priority in rock) but they also have to tell the story, to advance plot and character. Of Effects Marketing. To do that, they have to named after, convey clearly a lot of information in marketing very few words; repetition is a luxury modern theatre composers and lyricists cant afford.

So it follows that Rent shouldnt have worked because its music is maryland named after, genuine rock and roll (though more 70s than 90s). Southern Culture And Traditions. But theatre audiences loved it and named after, so did the pop music audience, though hard-core rockers denounced it as imitation. Pfeffer's Cuttlefish. Perhaps to work on stage, it couldnt have been pure, up-to-the-minute, on-the-radio rock, but it was real. Larson was as tuned in to rock as he was to traditional Broadway musicals, and he did the near impossible by successfully blending the maryland named, two without emasculating either, creating a kind of Broadway fusion rock that satisfied both audiences. The CD quickly became the pfeffer's flamboyant, best selling cast album of the decade.

But the question remains: why did it work? Were Broadway audiences ready for Rent because the maryland after, blander Broadway pop of Andrew Lloyd Webber had prepared them to accept a more legitimate rock sound? Did Tommy help pave the way? Or was the pfeffer's flamboyant cuttlefish, success of Rent an audience rebellion against the abundance of elevator pop on Broadway? And if not for Rent , would later pop musicals like Jekyll Hyde and The Scarlet Pimpernel have been so popular?

Its impossible to know for sure. The second reason Rent shouldnt have worked is that it was a big mess. Its first several incarnations were so full of ideas, so full of everything Jonathan Larson wanted to say, that no one could make heads or tails of it. Maryland. There were so many themes he wanted to of effects, explore, so much of his wide-eyed optimism and naivet that he wanted to inject into his story, so many plot lines. And the specter of maryland La Bohme was always getting in the way. It wasnt until director Michael Greif entered the picture and dramaturg Lynn Thompson and several others that a coherent story began to emerge. And there were other issues.

Many of the people involved thought his early depiction of hierarchy marketing homeless people was nave and borderline offensive. Many people thought too many of his characters were one-dimensional. And Larson could be very defensive, very closed to outside feedback. But luckily, as he began to trust Greif and others, he opened up and listened to what they had to say. He began to trust their criticisms and makes changes. Maryland Named After. But he never finished his show. For many musicals, the preview period is who were two famous the renaissance?, when the maryland named, most important work gets done, and Larson died before previews began. Boston Massacre. Even now in its finished version, Rent has dramatic and structural problems. Is it better for its roughness and named after, imperfection, more accessible, more loveable for its flaws? Quite possibly. The third reason it shouldnt have worked is that Broadway audiences generally dont want to see musicals about overtly sexual gays and lesbians (although the de-sexualized varieties are okay), or SM dancers, drug addicts, drag queens, or performance artists.

And they certainly dont want to hierarchy of effects marketing, see these people have simulated sex onstage. Like Hair did, Rent brought forbidden content to Broadway and ended up a commercial success. This is even more surprising in an era when Disney is becoming the king of Broadway with its sanitized, family-friendly, substance-free musicals selling out and maryland named after, winning Tony Awards. Correctional Theory Essay. Was Rent s success due to a backlash against a Broadway turning to Disney and the bloodless pop musicals epitomized by the work of Frank Wildhorn? Were Broadway audiences hungry for named after, more adult fare? Did the growing prevalence of gay and lesbian characters on TV and in movies make audiences more comfortable with this material? Did Larsons innocence and generosity of spirit come through these characters so warmly that audiences couldnt help but care about pfeffer's flamboyant cuttlefish, them?

Again, its impossible to know. Some critics complained that there was no irony in named the material, no cynicism, none of Sondheims frosty intellectualism, as one critic put it, that everything in Rent was laid bare, right there on the surface. Perhaps thats another reason why audiences embraced it. The last reason the boston massacre, show shouldnt have worked is that it was the anti-spectacle. Named. It had virtually no set a couple tables, folding chairs, a platform for the band, and who were astronomers, a junk sculpture on one side of the stage. Its costumes came from the actors own closets and from thrift stores. The show looked sparser and more low-budget than anything in years. This low-rent show (pun intended) opened at maryland after a time when the other hits on Broadway were Sunset Boulevard, Show Boat, Beauty and the Beast, Les Misrables , Miss Saigon, Phantom of the Opera, Cats , and a tastelessly overproduced Grease, expensive spectacles one and pfeffer's, all.

Why did audiences embrace Rent, a show that had neither chandelier nor helicopter? Then again, though Les Misrables had the turntable and barricade, many of its scenes were played on a bare stage. And opening at the same time as Rent was Savion Glovers definition-defying dance musical Bring on da Noise, Bring on da Funk , which also used virtually no sets. Opening the following season was the revival of Chicago which had less set than Rent did. Maybe the named, time was just right. Maybe audiences were just ready. Maybe they were sick of empty calories. But aside from all these problems with the show as a whole, there are also some other problems that may or may not have been fixed had Larson not died. Of Effects. Despite its much touted diversity blacks, Latinos, gays and lesbians, cross-dressers, junkies the two main characters (including the maryland named, storys narrator) are both straight white guys from suburbia, just like Larson was.

Did these two white guys make it easier for the audience to accept the others? Were the others just tokens? People argued both sides of the issue. And what about Mark and Rogers refusal to pay Benny rent for their apartment? Why is that portrayed as such a gutsy gesture? Do they deserve to live rent-free and astronomers during the renaissance?, job-free merely because theyre struggling artists? And lets not forget that theyre struggling artists by choice . They could get jobs. Larson did; he waited tables for a living.

In a pinch, they could move back home with their parents or ask their parents for money. Their self-identification with the real homeless people seems artificial, and perhaps even a bit offensive. Its safe to say that most of the maryland named, homeless people living in culture and traditions the tent city on Bennys lot are not there by choice, some probably suffering from mental illness, addiction, and who knows what else? Then again, this issue was raised over Hair why were these kids panhandling on the streets when they came from middle class suburban homes, when most of them were college educated? Is it idealism, naivet, or just arrogance when Mark and Roger declare theyre not going to pay rent this year or next even next year? Back to the Future. Rent didnt really break that much genuinely new ground (one might argue that Griefs staging did more than Larsons material), but like Oklahoma! fifty years earlier, its triumph was in bringing together what had gone before it, combining many past innovations all in one new work, and doing it with great skill, and more important, great success. As mentioned before, innovations generally only get carried on if they show up in hit shows.

In fact, Larsons great achievement and the reason for after, Rent s enormous appeal to pfeffer's flamboyant cuttlefish, so many different kinds of people lies precisely in the heady mix of maryland after musical theatre traditionalism and innovation. The shows influences are many. Like the early musicals of Tim Rice and natural, Andrew Lloyd Webber ( Jesus Christ Superstar, Evita) and named, the musicals of Theory Schnberg and Boublil ( Les Misrables, Miss Saigon ), Rent is through-sung, with almost no spoken dialogue. Named After. This is Correctional Essay, certainly nothing new. Broadways pop operas have been around since the early 1970s and though their often over-blown spectacle has fallen out of vogue for the moment, the pop operas will no doubt continue. (Its interesting to note that Larsons idol Stephen Sondheim has never written a through-sung musical. Sondheim enjoys the back-and-forth between spoken dialogue and singing.) Like Lloyd Webber and Schnberg, Larson wrote self-contained songs as well as duets, group numbers (some with beautiful, carefully constructed counterpoint and after, harmonies), and convection vs forced, operatic style recitative, using the structural vocabulary of classical opera with the harmonic and maryland named, rhythmic language of rock. One could argue that Larson did all this better than those who went before him, but it wasnt new. (A pause here for some parenthetical comments about one of pfeffer's cuttlefish my greatest pet peeves.

Too many people experts even habitually refer to pop and rock operas as through-composed . This is not correct. What they mean is through-sung , meaning that there is no dialogue, that everything is sung. Through-composed means something entirely different. It means that the music never repeats itself, that no two verses have the same music, that there are no reprises in Act II, that the composer writes different music for maryland after, every moment. I dont know that Ive ever seen a musical that is through-composed, although Ive seen many that are through-sung. All musicals repeat music in some way and certainly Andrew Lloyd Webber, the king of the pop opera, does it a lot . Correctional. Some people tell me I should lighten up, and they may be right, but either the labels we use have meaning or theyre worthless.) Larson also wasnt the first to maryland named after, adapt classical opera for the musical theatre.

Oscar Hammerstein II did it with Carmen Jones in 1943, by updating Bizets opera Carmen, moving it to two famous astronomers during, the American South, and writing all new lyrics. Jim Luigs and Scott Warrender did it in 1995 with Das Barbec , which recast Wagners operatic Ring cycle as a country western musical comedy, but this was more parody than adaptation. What Larson did, creating new music and new text, and even freely adapting the plot, was arguably new. In a very real way, Larson borrowed from the musicals of the 20s and 30s and the work of the Gershwins, Cole Porter, Rodgers and Hart, and maryland named after, others, by writing in a genuine pop music style, a style that the audience hears in their everyday lives, a style that instantly makes the language of the musical accessible to hierarchy marketing, the untrained ear. Surely today, no one can escape rock/pop music. Its in the movies, in commercials, even in dentists offices. And like the songwriters of the 20s and 30s did, Larson tells his story in the musical language of the people, something Broadway has rarely done (or at maryland named after least rarely done well) since the 1950s. Larson followed the lead of Rodgers and two famous, Hammersteins early musicals ( Oklahoma! , Carousel, South Pacific ) by named telling a story that directly addresses important social issues and problems. Two Famous Astronomers During The Renaissance?. And as in Oklahoma! , Larsons story is named after, about a threat to the community; in Oklahoma! its Jud Fry, in Rent its AIDS. He used long-form musical scenes, which were first developed by and traditions Hammerstein, in Show Boat with Jerome Kern, and in Oklahoma! and Carousel with Richard Rodgers, a device perfected by Larsons mentor Stephen Sondheim, most notably in Sweeney Todd . (And like Sondheim did in maryland named after Sweeney , Larson even quoted the dies irae, a musical motif from the mass for the dead, in the song La Vie Boheme.

He also mentioned Sondheim in that song.) Larson also learned from boston Hammersteins example that the named, truly great writers always write what they believe. Sondheim writes about psychologically complex, neurotic New Yorkers because thats what he knows and understands. Hammerstein wrote about two famous, cattle standing like statues because thats what he understood and believed in. And like Hammerstein, Larson wrote with tremendous optimism, an maryland named after, almost embarrassing naivt, and a genuine love of life, because thats who he was, despite living in the midst of the AIDS pandemic and watching many of boston massacre his closest friends die. But like Sondheim, Larson also focused more than anything else on maryland named after the way people connect (and fail to boston massacre essays, connect), one of the most important themes in maryland named Rent (as evidenced by pfeffer's Larsons quote at the beginning of this chapter) and a theme Sondheim returns to in almost every one of maryland his shows. Larson followed in the footsteps of pfeffer's West Side Story in depicting the seamy, gritty side of life on the streets of New York, and in the footsteps of William Finns Falsettos trilogy in his matter-of-fact treatment of gay characters.

Like Grand Hotel and maryland, Sondheims Into the Woods , Larson successfully manipulated numerous storylines, weaving them in and out of hierarchy each other. He followed Cabaret and Company in their treatment of social issues and their use of commentary songs. After. He and Greif followed The Fantasticks and A Chorus Line by using virtually no set. All this is not to say that Larson stole from any of these shows; he learned from them. He was a true Broadway baby, a serious, passionate student of the pfeffer's flamboyant, American musical theatre and he synthesized all that had gone before him to create a new creature, one that had clear ancestors but still stood on its own.

He did in 1996 what Rodgers and Hammerstein did in 1943 with Oklahoma! he knocked Broadway on its ass. We can only hope that, like Oklahoma! , Larsons Rent will become a model for the new generation of Broadway musical artists. Its Between God and Me. What does Rent think about God and religion? The one time religion is really invoked in Rent , early in La Vie Bohme, it's held up for sustained mockery, including ironic quotes from the Latin mass and the Jewish prayer for the dead. Religion does not serve this community. Maryland. The one time we see a representative of religion in the show, it's a nasty priest who's hassling Collins about paying for Theory Essay, the funeral.

One other passing reference to God comes from the homeless: Can't you spare a dime or two? Here but for the grace of maryland named after God go you. It's an interesting line, since most of the who were two famous astronomers, characters don't seem to think much about God or religion. But with homeless people singing these lines, it might remind us of Bill Maher's contention that it's easier for maryland named, middle-class and wealthy people to be atheists; it's a luxury of sorts. Theory Essay. Those who are poor, the least of these, those who struggle to named after, survive every day, don't always have that luxury. Then, midway through La Vie Bohme, we get this gem: It's between God and me. While some might see the suggestions of boston massacre essays a belief in God here, it's such a confrontational, aggressive statement that we can't take it at face value. These kids are telling us they think the rules of Leviticus and maryland named, the rest of the Bible are silly and anachronistic.

There's not even a hint of Theory Essay respect for those rules or their source here. But aside from these few references, God and religion are mostly absent in named this world. Take a look at hierarchy marketing the lyric of Another Day: There's only this. Or life is yours to named after, miss. No day but today . Millions of natural people have sung these words since Larson wrote them, but how many of them have stopped to think about them? Many people hear that lyric as just a reminder to live for the present, especially for these characters who have an uncertain future. But this lyric is named after, saying a lot more than Live in the present. This lyric does two jobs, both giving the community some context, in the form of the support group, and also doing some important character work between Mimi and Roger. There's only this . Could that be the show's or Larson's rejection of organized religion and revealed word, rejection of a merciful God who brings AIDS down on his people, of various, conflicting codes of morality, of the massacre, moral cluelessness of a 2,000-year-old religion?

There is no God , this lyric is telling us; there's only maryland, us . There is no heaven, no afterlife, no ultimate reward or punishment; there's only this life, here, now. Or as John Lennon put it: Imagine there's no heaven; It's easy if you try. No hell below us, Above us only sky. Imagine all the people. Living for today. Though some Rent fans may recoiling from this reading, the AIDS pandemic led a lot of people to question the existence of God.

As Larson watched so many of his friends killed by the disease, as he saw Christians reject and condemn the gay community, as he heard the hierarchy, Religious Right claim AIDS was God's just punishment on gays, what must that have done to his ideas about God and religion? Or did he ever have any? Or life is named after, yours to miss. Is that a call to reject notions of sin and divine punishment? After all, by definition, the act of repentance for hierarchy marketing, sins is backward-looking. Why beat yourself up, why do your penance, when you could be moving forward, this lyric seems to maryland after, ask us. No day but today. Could this mean that the only way to two famous astronomers during the renaissance?, truth, to maryland named, happiness, to enlightenment is to live fully in the reality of today, not in marketing the mythologies of thousands of maryland years ago, not in the spiritual bamboozles of new mythologies, but instead in the divinity of plain old human connection, love, sex, generosity, forgiveness, kindness, joy, music?

If there is spirituality in Rent , it's in the obviously named Angel. Of Effects Marketing. She brings out what is maryland named after, divine in Collins and southern culture, the others. She shows us the road, this road that we're on, the named, one in front of us. If we embrace this road, this way, this day, we live more fully and we appreciate each other more deeply. The song goes on, and Mimi and the support group sing: I trust my soul. Mimi may be a heroin addict, but she's also something of a philosopher.

She has self-awareness, and perhaps that's her great tragedy. They're not saying they trust God here, or fate, or Allah; they trust their souls. They trust their human nature, their humanity, the deepest part of themselves. They don't strive to be sinless or righteous or morally upright, but just to be, just to massacre essays, live life, to keep moving forward, to maryland named after, play out their own individual hero myth stories, each on flamboyant cuttlefish his own individual road. There's only now, There's only here. Or live in fear. There is maryland after, no eternity, the lyric seems to argue; there's only now.

There is no heaven, hell, or other plane of existence; there's only boston massacre essays, here. You can choose to live in love and joy and sunlight, or you can choose to live in maryland fear and distrust and darkness. You can work to better the lives of your fellow humans, or you can live in fear of them and what they'll take from you. No day but today. It's pretty obvious why the Essay, support group is maryland after, singing this as their affirmation. Who Were The Renaissance?. They have to find peace in named living with AIDS. They have to live fully now, because they don't know how much future they've got. For Angel and Collins, that's freeing, and maybe it allows them to be themselves and accept themselves in a way they might not have otherwise.

Maybe they wouldn't have connected so quickly, so powerfully, if not for vs forced convection, the disease they share. Maryland. And maybe the same is true for Roger and Mimi. They're sickness is their bond. So why is Mimi singing this to Roger? Because Roger is raging against the first genuine emotions he's felt since his girlfriend died. Correctional. He hasn't been able to give into maryland named after, love thus far, so he has live[d] in fear. Correctional Essay. It's terrifying for named after, him to feel again, because to feel again means to be hurt again. But Mimi has been hurt too. Of Effects. She really does understand what he feels.

She knows that she can live in that pain or she can give into maryland, love, and she knows the same is true for Roger. Mimi the addict-philosopher urges Roger not to think about what might happen, who might get hurt, where it all might end, and instead just focusing on being with her here, now, for as long as they've got. Convection Convection. They don't really have a choice, other than to retreat into themselves. There is no other path for them, no other way, and for many reasons, no day but today. More than anyone else, Rent is Roger's story.

It's true that there are essentially six leads in Rent , but most of them don't change significantly or learn anything significant. Roger and named after, Mimi do, and Mark and Maureen do also, to a lesser degree. But Joanne and Collins have already gone through the growing-up process, and Angel is the story's wise wizard figure. Rent is Roger's hero myth. It's easy to get swept up in who were two famous during the joy and rowdiness of this show, the rich musical landscape, the quirky characters, and to miss the skillful, carefully wrought character arc that Larson constructed for Roger. Rent went through massive rewrites over several years, and though roughness is to some extent Rent 's unique style, Larson did a lot of work on the show and put a great deal of time and thought into its construction. (In one early version, the show began with the funeral and then flashed back. ) Once you look closely at after Roger's arc, you can see how the whole show is Correctional, built on that structure. Roger is in named after enormous pain when we first meet him. He's been through a terrible tragedy his girlfriend April gave him AIDS, then killed herself, just six months ago and as many people do in horrific situations, he shuts down his feelings.

He becomes an emotional zombie. He looks like a person on the outside, but he's dead inside. He's learned to function, and how to massacre essays, fake a smile. But he has cut himself off from life. He hasn't seen anyone but Mark in maryland named after a really long time.

And he's just six months clean from his own heroin addiction. You don't get cured of heroin addiction. Hierarchy. It's like alcoholism; it's with you for life. Maryland. You just learn to control it. Maybe . From the first moments of the show, we're introduced to Roger's magic amulet (like the ruby slippers and Luke's light saber), his Fender guitar. It's the only part of him not dead. It's the natural convection vs forced, artist part of him that's hanging on. Maryland Named. As long as he has the guitar, as long as his one great song isn't finished, he has a reason to astronomers during, get up tomorrow. Roger is unable to finish his song because he's emotionally crippled, but also because finishing his one great song would mean he could die. Maryland. And deep down, that's not really what he wants.

He wants to live again. The action of Rent is how Roger makes his way back to the land of the hierarchy of effects, living. It's about how Roger learns to be one of those people living with, living with, living with, living with, not dying from disease. Angel and Collins provide the call to adventure that begins every hero myth. Angel is Roger's wise wizard, his Glinda the Good Witch. And his faithful companions on his journey are his community. More than any other modern piece of musical theatre, in Rent , the community is maryland named, a character another way in which Larson followed the Rodgers Hammerstein model.

If Roger can just get out into the community, he will find again what was taken from him: real human connection. Our reluctant hero resists that call at first, but then he gets a second call to adventure, this time a call to emotional ( okay, and sexual and chemical ) adventure, when Mimi barges into the loft. Flamboyant. Roger resists again. He wants nothing to do with Mimi, because she's a junkie like April, and he will not go through that again. He must protect himself, his heart, his broken soul. Just as he protects himself from his addiction. After Mimi leaves, Roger realizes he likes her. But what does that mean to an emotional zombie? Might it mean that he's not a zombie after all?

He finally answers Angel's call to adventure, inviting Mimi along. And only maryland named, then, when he risks, when he opens himself to the adventure, does something of value come back to him. Connection. And notice that our hero brings his magic amulet with him everywhere, to the flea market, to Maureen's performance, to the Life Cafe. Roger and pfeffer's cuttlefish, Mimi's duet I Should Tell You is the show's obligatory moment, the moments toward which everything before it has led, and named after, from which everything after it results. Take out that moment and the whole story collapses. Roger finally pries open the door to his heart, finally takes that brave step. and finds out Mimi also has AIDS. Just like April. Hierarchy Of Effects Marketing. Just like him.

Part of him is terrified that he's finally letting himself feel again, and that it's going to maryland after, be exactly like the last time. Nothing but pain. He knows it'll end the same way. He can't do that. He can't bear that kind of pain again. But another part of him thinks maybe at long last he's found someone who could understand what he feels, something even his best friend Mark can't provide. There's such weight, such deep despair, such understanding when Roger finds out Mimi has AIDS and all he can say is, Mimi. Flamboyant. He can't believe it. Maryland After. Once again, he falls for someone who's a junkie and who were astronomers during the renaissance?, who has AIDS, and once again, he knows, she'll die, leaving him alone again. Maryland Named After. And he knows he won't survive that. And yet who could better understand what he's been going through?

The power of the boston massacre essays, scene is that Mimi knows exactly what he's thinking, and she can feel that weight, and she knows the source of maryland his pain. And she knows they could ease each other's pain. Boston Essays. If only. And then he chooses. (Here goes. ) The end of Act I of Rent feels a little like the end of Act II of Next to Normal guardedly semi-optimistic. Named. A fully happy ending isn't really possible here, so we'll take what we can get. Yes, there will be pain. As Next to Normal tells us, It's the and traditions, price we pay to feel. And as the act ends, Roger and Mimi join the others in celebrating life at the Life Cafe.

Unlike most stories, a big part of maryland named Roger's hero's journey is skipped, as we race through most of the southern culture and traditions, year in maryland named Act II. Boston Massacre Essays. We're left to maryland named after, fill in those blanks, assume a progression (and disintegration) of Roger and Mimi's relationship, but Larson does a great job of connecting all the dots for us. Roger's real moment of self-discovery comes in the double interior monologue he shares with Mark, What You Own in Act II, and in their fight leading up to it. In each hero myth, the hero has to and traditions, gain some new wisdom from the trials he's been through and he must return to his village to share his new wisdom. But first he has to hit rock bottom. Everything that Roger needed is being taken away.

In the song-scene Goodbye, Love, Roger and Mark have a real fight, and in pointing out each other's flaws and frauds, they each gain some self-awareness. Maryland Named After. It takes a fight for them to marketing, finally say all this, to finally open up. They sing: So I own not a notion. I escape and after, ape content. I don't own emotion I rent.

What was it about that night? Connection in an isolating age. For once the shadows gave way to light, For once I didn't disengage. Dying in Correctional Essay America. At the end of the maryland after, millennium. We're dying in America.

To come into our own. But when you're dying in southern and traditions America. At the end of the millennium, You're not alone. Or as Sondheim would put it, No one is alone. Mark and Roger are coming to realize that we all go through trials. We all suffer. We all grieve.

And we all know we're not alone. Notice the shift from living in America earlier in the song, to dying in America, and maryland after, then to dying. to come into essays, our own. It's the hero's progression from mere existence, to challenge and danger, to finding your own place in the world. But Roger has not finished his journey. Named After. He has not yet become a man. Hierarchy Of Effects Marketing. If he doesn't own his emotion, how can he write a love song? When they bring Mimi up at maryland the end of the show, Roger sees his past playing out in Correctional Theory Essay front him again.

It's all happening exactly as before. And then he makes a different choice . Instead of after giving in to the grief, as he did with April, here he fights it. He rises up to slay the dragon. Roger's song or more accurately, the genuine love that his song expresses is the kiss the Prince gives the Disney Princess that saves her life. He hasn't been able to write the song before now, because he wasn't yet capable of mature love. Now he is.

He's growing up. Now Roger is no longer passive. He has chosen to natural convection vs forced, be active. He has chosen to act to save another. He has become heroic. in a small, urban, Alphabet-City, kind of way. He has grown up, and now he can love someone fully. But like Matt in The Fantasticks , Roger first had to named, get beat up by the world.

Larson's decision to give Roger such a heavy backstory was one of his most important choices. The existence of April in the story changes it, and elevates it well beyond both the maudlin, emotional pornography of the natural convection vs forced convection, opera and the subversive but shallow comedy of the novel on which the musical and the opera are based. April gives Roger weight. In the named after, opera, Rodolfo seeks romance; in the novel, Rudolphe seeks sex. Roger seeks connection. At the beginning of the show, Roger's song had to be written before he dies. Natural Convection Vs Forced Convection. It's connected with ending. At the end of the show, his new song has to be written to express real love. Now it's connected to beginning. All through the show, as a running joke, Roger keeps trying to write this song, but it always ends up sounding like Musetta's Waltz from La Bohme . (How meta!) Now that Roger has grown up emotionally or at least, is growing up now he can integrate his obstacle into his journey, and now a quote from Musetta's Waltz shows up as an maryland, integrated instrumental break in the middle of flamboyant his love song, Your Eyes.

Instead of being stymied by after it, he has conquered it. Instead of southern being trapped by the past, he now integrates the past into the present. Also notice that Roger's first big song, One Song Glory is all about Roger. Maryland Named. He even refers to Correctional Theory Essay, himself in the song, in the third person. Maryland. This is a shallow sentiment.

He wants glory. He thinks he's capable of truth like a blazing fire. Not yet he isn't. But by two famous during the end of the show, he's grown up and his last big song, Your Eyes, is all about named after, Mimi. It's about connection.

Ultimately, Roger learns what Bobby learns in Company Alone is alone, not alive. Like Bobby, Roger choose to pfeffer's flamboyant cuttlefish, make a commitment to someone, to put himself second. The finale of maryland named after Company is who were during the renaissance?, called Being Alive because Bobby has chosen not to be alone. The goal isn't to maryland after, find the perfect person. The goal isn't to get married. The goal is to be alive. At the end of pfeffer's flamboyant cuttlefish Rent , Roger choose to maryland, be alive. Massacre Essays. He takes all that he's learned on his journey and he chooses connection.

It's not a Happily Ever After, because in real life there's always a next chapter. until there isn't. But it is a resolution. The (Second) Age of Aquarius. Jonathan Larson was born and died under the maryland, sign of Aquarius, fitting for the man who wanted to write the Hair for the 90s. In fact, as much as Rent was influenced by other musicals, no show shaped Rent more than Hair . The two shows are alike in natural vs forced convection so many ways. Both originated off-Broadway and maryland named after, moved to Broadway. Both intentionally cast some actors who had no stage experience at all. Both used costumes that came from cuttlefish thrift stores and actors closets to add a sense of realism. Neither show had much set. Both shows were a weird mix of concert and musical (like the subsequent off-Broadway sensation Hedwig and the Angry Inch ), with both scores relying to some degree on list songs (even sharing some of the same references sodomy, marijuana, Ginsberg, Antonioni, and others).

Both shows acknowledge themselves as theatre, directly addressing the audience. In Rent , Mark actually speaks many of the stage directions. In Hair , the actors interact with the audience. Both shows are about drugs (marijuana in after Hair , heroin in Rent ), death (Vietnam in Hair , AIDS in Rent ), and boston, a strong sense of community as family. Both shows deal seriously with spirituality but reject traditional religious traditions. Both shows also rejected traditional Broadway staging techniques and both borrowed techniques from the named, experimental theatre movement, because both directors came from the essays, experimental theatre community. In fact, the static, presentational staging of Seasons of Love in Rent was considered revolutionary by some but its taken directly from the maryland named, staging of Let the boston, Sun Shine In in Hair . Both shows were perceived to have plot problems (no plot in Hair , a messy plot in Rent ), and in fact, both shows were meant to feel messy and unpolished. The success and legacy of Rent owes almost as much to its original direction and design as it does to its music and lyrics. Director Michael Greif was criticized for his staging, which often looked random or even non-existent, but he was just picking up where Hair left off. Greif was creating a new kind of musical theatre staging, a theatrical equivalent to cinma vrit , the documentary style of filmmaking in which no directorial control is evident, in which real life is merely recorded without being manipulated.

Now, obviously, its tough for a musical to be completely natural because most people dont break into song spontaneously, and even fewer have a band to back them up. But Greif got as close to cinma vrit as musical theatre can get, aiming for named after, the impression that these actors are making it up as they go, that theyve assembled on this nearly empty stage and are acting out their lives for us. There were no self-consciously clever staging moments, no technical surprises, no gimmicks (unless you call the lack of gimmicks a gimmick). In all these ways, it picked up the central ideas of Hair . It was different, it was startling, and it was scary to musical theatre traditionalists. Greif has said that he staged Seasons of Love first and the sparse, static staging of that number then determined the pfeffer's flamboyant, look of the rest of the show. Just as the authors of Hair , Jim Rado and Gerry Ragni, used their lives and the lives of their friends as material, Larson did the same with Rent . As mentioned earlier, many small details of his life found their way into the show, as did the names of friends lost to AIDS. And Roger and Mark are clearly two sides of Larson, both the artist-observer and the artist determined to maryland after, leave behind something of value. And Traditions. Like Mark, Larsons friends say he studied people intently, often asking couples why they were together, wanting to know friends life histories, asking sometimes very personal questions in his quest to maryland named after, understand people. Theory. A friend says that on the last night of his short life, Larson told him that he had learned from an HIV-positive friend that its not how many years a person lives that counts; its how you fulfill the time you spend here, a philosophy Larson certainly shared with Roger. Larson also injected his hopelessly sunny disposition and impossible optimism into Angel, the heart of Rent . Maryland Named After. Though Larson died, he lives on in these characters. Like Hair, Rent is about the things its creator thought were important.

Its a show about survival, just like Jason Robert Browns musical Songs for a New World . Perhaps the message of this generation is that the real heroism is in living, in just making it from one day to the next, against greater odds than a more generous universe would allow. Though many musicals have dealt with death, though some have even killed off their hero, never before has a Broadway musical included four main characters living with AIDS. And still, the show rarely focuses on death and rarely gets depressing. Its uplifting even as it deals frankly with tragedy. In Angels death we still celebrate the hierarchy, joy he brought to Collins and the rest. Rent deals in spiritually even though it doesnt mention God. The church of Rent is Life itself the Life Caf, Angels group Life Supports, the life teeming through the streets of after New York City, the life force that rages through each character as they all struggle to survive. Marks song Halloween asks why this extended family of friends was brought together and the answer is flamboyant, that they are each others church, each others reason for celebration and for thanks.

Mark asks this question, significantly, standing outside a church, not within it. Mainstream religion does not offer this generation what it seeks. Like the generation of Hair thirty years earlier, their answers arent in the Bible; their answers are in the sense of family and community they all share. And like Hair , Rent is not just about a community of maryland characters, its also about the community of Theory artists who created it. Just as each cast of Hair takes a tribal name and maryland, becomes a family in very real ways, so too does each cast of Rent form deep, lasting bonds. Its the southern culture and traditions, nature of the named, material. The Legacy of Rent. Rent s legacy is tough to hierarchy of effects marketing, estimate just a few years after its opening. Maryland. Certainly, it will ruin the voices of massacre essays a generation of named after singers.

Because the producers want actors who dont feel like actors (as Larson wanted), many of them are untrained and dont know how to warm up their voices and bodies before a show, how to rest their voices on days off, how to prepare their bodies for a kind of abuse few people ever experience. Many actors who have performed in Rent have blown out their voices and developed serious vocal problems. Correctional Essay. This was less of a problem with Hair because no one actor had all that much music to sing, but in named Rent several characters sing a great deal of music each night. In August 1997, the New York Times did an article on absenteeism in Essay Rent and in Savion Glovers Noise/Funk . At some performances of Rent , as many as nine out of fifteen cast members would be missing. This had also been a problem with Hair , but due more to after, drugs than to sore throats. But the real question is: will Rent change Broadway the way Larson hoped it would? So far it hasnt.

Would it have been different if Larson had lived? Maybe. Who knows what his next show would have been like? Then again, maybe Larsons other shows wouldnt have made it to Broadway. Maybe they wouldnt have been the near masterpiece that Rent was. The other young composers making their marks on Broadway are following more in the tradition of Sondheims sophisticated, complex musicals than following Larsons populist lead. Adam Guettels brilliant Floyd Collins clearly came out of the Sondheim tradition. Jason Robert Browns Songs for Correctional Essay, a New World was heavily pop and RB-influenced, but Browns Parade was closer to Sondheim.

Frank Wildhorns musicals, Jekyll Hyde, The Scarlet Pimpernel , and others, came directly out of the Top 40 sound, but they dont succeed as theatre, really amounting to nothing more than Star Search with a slight story, so he wont be the heir to Larsons legacy. Named. Maybe the Correctional Theory Essay, only hope resides in maryland a new voice we havent heard yet, that will appear on the scene as suddenly as Larsons did, who will finish the work of putting musical theatre and pop music back together again, without sacrificing the integrity of either, the way Larson did so brilliantly and so lovingly.